Program
Sat., November 26, 2022
| 8:30～ | registration | |||
| 9:00～9:05 | opening comments（1-204） | |||
| Session A (1-204） Chair: ENDO Kinuho |
Session B (1-303） Chair: TOYAMA Naomi |
Session C (1-309) Chair: AKEGI Shigeo |
Panel Discussion 1 (1-202） 9:10～11:20 |
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| 9:10～9:50 | A-１ INOUE Kaho Reconsideration of Post-Franconian Theory and Notation |
B-１ NAGAI Tamamo The Decline of ballet at Paris Opera in the end of the 19th century: A background in terms of changes in theatre rules and repertoire |
C-１ NAKATSUJI Maho Music Theory Education from the Meiji to the Showa Era: Focusing on Harmony Education at the Tokyo Academy of Music |
Extensive Perspective for Musicology Implicated by Today's Xenakis Studies Co-ordinator: SHIINA Ryosuke Guest Speaker: Makis Solomos Panelists: KAKINUMA Toshie MIZUNO Mikako MIKAMI Ryota |
| 9:55～10:35 | A-２ MAKINO Tamaki Cantus Firmus Technique of the Works in the Gyffard Partbooks |
B-２ OKADA Akihiro Saint-Saëns's Reception of Wagner in his Organ Symphony |
C-２ SAITO Noriko Music Activities at Omi Mission: Focusing on Japanese Participants |
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| 10:40～11:20 | A-３ MOMIYAMA Yoko William Byrd's Word Settings in his Psalmes, Sonets and Songs: From the Viewpoint of Word Underlay |
B-３ KAWAKAMI Keitaro The Sources of Inspiration for Les Chants de Nectaire: Koechlin's Narrative Construction and Its Intertextuality |
C-３ TENG Shujun Music Education and Gender in Modern Japan as Seen through Radio Gymnastics |
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| 11:25～12:05 | A-４ HAGIHARA Rika Festival Producer "Maestro of Dance and Music" |
B-４ TAKAYANAGI Mariko Philippe Gaubert's Flute Compositions in his General Catalogue of Works: For a Better Understanding of his Music |
C-４ MATSUMURA Yoichiro Published Histories of Colleges and Faculties of Music in Japan |
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| 12:05～13:10 | lunch | |||
| Session D (1-204） Chair: KAWAMOTO Akitsugu |
Session E (1-303） Chair: CHOKI Seiji |
Session F (1-309) Chair: MOMIYAMA Yoko |
Panel Discussion 2 (1-202） 13:10～14:35 |
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| 13:10～13:50 | D-１ NAKAJIMA Yasuhiko Meaning of slurs that J. S. Bach wrote in his keyboard works |
E-１ MAKINO Hiroki Thought and Ideology of music practice in the Third Reich |
F-１ MATSUHASHI Kiko The Influence of German Congregational Hymns in Japanese Catholic Churches |
OHASHI Hataiwa as a Piano Maker: Documents of OHASHI family and the History of Piano Manufacturing Chair: KOIWA Shinji Panelists: INOUE Satsuki OKUNAKA Yasuto MIURA Hirohiko ISOBE Hirosi Commentator: TAKEISHI Midori KAMIMURA Kaori |
| 13:55～14:35 | D-２ SATAKE Natsuki Fantasy-like Elements in C. P. E. Bach's Late Keyboard Sonatas: The Late Compositional Style and His Diverse Cadences |
E-２ SAITO Yukari Two Possible Endings of Alexander Zemlinsky's 6 Lieder Op. 22 |
F-２ KAKOI Masaya The Research History of Kosaku Yamada and Historiographical Approaches |
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| 14:40～15:20 | D-３ NIIBAYASHI Kazuo Symphonies from the Court Orchestras of Regensburg and Wallerstein: The Orchestration with Expanded Woodwind Section toward the 19th Century |
E-３ NAKAHARA Yusuke Trojan Horses at the 2600th anniversary of the Japanese Empire: Symphonies by Sándor Veress and Benjamin Britten |
F-３ HOSHINO Hiromi "Chor der Engel" or "Beethoven's Hallelujah": A study on the Japanese versions (from Christus am Ölberge) |
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| 15:25～16:05 | D-４ OOTAKA Seiji The rhythmical formula found in closing section of sonata |
E-４ OKUBO Mariko A Study on the Recording of KBS Production Records: An Analysis of the 78rpm and Related Sound Sources |
F-４ SHIBATA Kotaro Trial Listening in Movie Theaters in Tokyo during the 1930s |
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| 16:20-17:50 | general meeting（1-202） | |||
| 19:00～ | online information exchange meetings（Zoom） | |||
Sun., November 27, 2022
| 8:30～ | registration | |||
| Session G (1-204） Chair: SEO Fumiko |
Session H (1-303） Chair: TAKEISHI Midori |
Session I (1-309) Chair: FUJITA Takanori |
Panel Discussion 3(1-202） 9:00～11:10 |
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| 9:00～9:40 | G-１ KIMURA Haruka The Function of "Minuet in Vielle Style" in Platée |
H-１ KUROKAWA Marie Quotation from R. Dittrich's Nippon Gakufu in G. Puccini's Madama Butterfly |
Music and War in the Modern Times: The Winner Gives It All Panelist & Chair: AGARIO Shinya Panelists: TOMORI Osamu NUMANO Yuji |
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| 9:45～10:25 | G-２ SATO Kota Church Music after Operas of Johann Adolf Hasse |
H-２ KUGIMIYA Takako Yellow Peril and Japonisme Opera: Theodor Szántó. Taifun （1924） |
I-１ HAMAZAKI Tomoe Ahmed Adnan Saygun and his Studies on Turkish Folk Music : Considering Bartók's Influence on Saygun |
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| 10:30～11:10 | G-３ KODAMA Mizuho Views of pitch in the Saxony of the late 18th century: Handling of semitones in fingering charts of multi-keyed flutes |
H-３ ISHINO Kanako Scherzando in Late Works of Claude Debussy |
I-２ SUZUKI Seiko Relation between Sound and Image in Documentation of Performing Arts: A Case Study on Japan Victor's Audiovisual Media Collection |
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| 11:15～11:55 | G-４ YAMADA Takashi "Touring System" of musical drama performances and church music in the Southern part of the Kingdom of Naples: From the case study of the musician recruitment contracts at the Enna Cathedral in central Sicily of 1784 |
H-４ NAITO Tazuko Frederic Mompou and his "L'expressió per a l'interpretació al piano" |
I-３ MUKAI Daisaku Walking along with Community-based Performing Arts: The Musicological Attempts towards Working with Local Communities |
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| 11:55～13:00 | lunch | |||
| Session J (1-204） Chair: FUKUDA Wataru |
Session K (1-303） Chair: SHIMIZU Yoshi-hiko |
Session L (1-309) Chair: NUMANO Yuji |
Panel Discussion 4(1-202） 13:00～15:10 |
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| 13:00～13:40 | J-１ ISHIKAWA Yuri The Concept of Walzer as the Basis of Schumann's "Papillons": Focusing on the Analysis of the Autograph |
K-１ KATO Shimpei Fumio Hayasaka's Works with Taiwanese, Korean and Chinese Music |
L-１ WASHINO Akiko Analysis of preluding at concerts in the first half of the 20th century |
New Perspectives on the Achievements of Klaus Pringsheim (1883-1972) : on the 50th anniversary of his passing Co-ordinator: SAKAI Kentaro Panelists: NAKATSUJI Maho NISHIHARA Minoru YAMASHITA Akiko |
| 13:45～14:25 | J-２ TOMORI Osamu Narrative Analysis of Listz's Années de pèlerinage. Première année: Suisse: What does the Paratexual Approach Bring? |
K-２ HARA Rui An analysis of Sesshu Kai's compositional techniques and philosophy: Based on his autographs |
L-２ TAKAHASHI Mai Practical Editions and Recordings as Media Documenting Interpretations: Transmission of performance interpretations from masters to pupils |
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| 14:30～15:10 | J-３ SASANUMA Emiko Franz Liszt and the canonization of 26 martyrs from Japan: The canonization as a turning point in Liszt's musical life |
K-３ NASU Satoko Towards an Inventory of Yoritsuné Matsudaïra's Archives |
L-３ HAYASAKA Makiko MIURA Tamaki's Winter Journey: An Overview of Her Translation of Lyrics and Recorded Performance |
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| 15:15～15:55 | J-４ ISHIHARA Yutaro The Function of the C sharp in Bruckner's Fourth Symphony: Intervention in the Tonal Structure and Functional Transition through Revision |
K-４ MIYAKAWA Wataru Gradual Melodic Development in the Works of Toshio Hosokawa |
L-４ YAMAKAMI Yohei Re-examination of Terminologies on "Dynamics" and Interactivity of Videogame Audio |
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| 16:00～16:05 | closing comments (1-204） | |||